μ-clid
Drive samples with mathematical precision. Three independent Euclidean layers per track combine through boolean logic to make hits no human would programme.
We build sequencing synths and sequencers that sit happily in your DAW and come into their own on stage. Every μ-series app is made to be played live: swap a rhythm without stopping the music, lock the screen for performance, and tie the whole rig together with a free sync hub and mixer.
μ-clid MIDI and μ-link are freeware. The rest are pay what you want, from £0, with £20 suggested. Nothing is ever limited, and the source is open (GPLv3).
A DAW session is for building. A gig is for playing. We are making interesting sequencing synths and sequencers that work well in the studio and, more importantly, hold up live, where you can't stop to fix things.
Change a rhythm, a pattern or a whole preset while the music plays. The new one takes over at the end of the loop, so the groove never stumbles. Choose whether a swap lands on the master loop or on each layer's own loop. MIDI Program Change works too.
Available nowBuild a list of up to eight presets, then lock the screen for the gig with one button. A step indicator shows the switches you have queued, and holding the button for a second takes you back out. In the standalone apps.
Available nowTap the beat in the transport bar to set the tempo, or let the standalone follow an external MIDI clock. No digging through menus while the room waits.
Available nowRun several apps side by side and let μ-link keep them on one clock, sum them to one output and mix them on stage, with scenes that switch presets across the rig in one click.
Available now · FreewareEach layer will hold a bank of stored states that you launch like clips, so every layer has its variations ready to go and you can play the arrangement by hand.
In developmentPlay the family from a Novation Launchpad X: pads for layers and clips, buttons to step through presets, and lights that show what is playing. The controller layer is built and we are mapping it to the apps.
In developmentIn development means we are building it now and it is not in the current download yet.
Download any of them and use it as long as you like. Nothing is locked and there is no time limit. The engines are different. The workflow is the same.
Drive samples with mathematical precision. Three independent Euclidean layers per track combine through boolean logic to make hits no human would programme.
A dual-oscillator wavetable drone with FM and ring modulation, shaped by a gate sequencer. Per-step gate, filter and pitch across up to 16 bars.
Pick a scale and a chord and it plays the notes through a two-oscillator wavetable synth. Every control can be modulated, so the arpeggio never has to stand still.
A hands-on groove box. Build a beat on a 16-step grid, add a techno rumble, and let the bass duck from the kick for a pumping groove.
One Euclidean rhythm that sends MIDI notes to any instrument in your DAW. Freeware, with no support prompt and nothing to unlock. It shares rhythm presets with μ-clid.
Connect your μ-series apps into one rig. μ-link sums their audio to one output, keeps them on one sample-accurate clock and mixes them live, with scenes.
μ-clid, μ-tant, μ-toni and μ-on are pay what you want, from £0, with £20 suggested. Every one does everything, with no locked feature. If it earns a place in your music, pay what you want and help me keep building them. Thank you, Andy.
All prices in GBP. Windows is current, Linux is in beta, and macOS is on hold.
Every μ-series instrument shares the same mixer and modulation architecture across all 8 tracks. Whatever the sound engine, the same powerful modulation and mixing system is underneath.
Eight MSEG or stepped-sequence modulators per track route to any parameter. All tracks flow into a full mixer with per-channel sidechain — any track ducks any other, or from an external host signal — three send effects, and two master insert slots.
Individual outputs are available per track, and any sequence or voice can be swapped live — manually or via MIDI Program Change — without stopping playback.
Switch any sequence or voice while playing via MIDI Program Change. In μ-clid these are Rhythms; in μ-tant, Voices.
Every mixer channel has its own sidechain input — duck any channel from any other, or from an external host signal. Use a μ-clid kick to pump a μ-tant drone pad for classic electronic textures.
Route each track to its own DAW output for parallel processing, hardware effects, or external mixing.
Built for producers who care about sound design as a craft. Find us where the conversation is.
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